Thursday, February 19, 2015

Week 6 Prompt - Message in a Bottle Display/Passive Program

Prompt: For this week's prompt, I would like you to think of an innovative way to promote romance, gentle reads or horror at your local library (pick one, just one!). What would be most effective? A catchy display? Some passive programming? In what ways could you incorporate integrated advisory?

Message in a Bottle

The library in which I work has a large number of romance readers – many of whom follow a particular author or type of romance (Christian, paranormal, etc.) The purpose of this display/passive program will be two-fold: first, it will serve to introduce readers to new subgenres of romance in various material formats, and secondly, it will allow readers to share their reading feedback, first hand.

On February 1 (to coincide with the upcoming Valentine’s Day season) the library will create a catch display with romance books galore. The display structure will be decorated with love-themed crafts (hanging hearts, tissue paper, etc. – if there’s ever a time to be gaudy, this is it!) and staff will create short love poems that are printed and attached to various parts of the display structure. Next to the display structure will be a bulletin board with various wine bottle shapes cut out of paper and mounted on the board, and a basket below will hold pieces of paper and writing utensils. Signage and promotion (on the website, Facebook, Pinterest, etc.) will encourage patrons to check out items on the display, and enjoy their “whirlwind romance.” Once they have finished with the item, they will be asked to write the title of the item on a piece of paper, and their favorite quote, and stick it on the board to leave their “message in a bottle”.  Patrons will also be encouraged to leave their name and contact information on the back of the message, and at the end of the promotion, staff will pick a name and give them a “date night package” which will consist of a romantic movie, popcorn and sweet treats.

The “Message in a Bottle” display will feature not only books, but also AV materials, magazines, and graphic novels. When appropriate, staff will “bundle” items that are related – i.e. books and movies, movies and soundtracks, books and audiobooks, etc. This will give patrons the opportunity to find related items and explore different formats for items they enjoy, and experience romance in different ways! Incentivizing the program will be of minimal cost to the library, but will hopefully encourage patrons to participate in this community discussion about romance, and seek out new and interesting romance-themed library materials that they may not have otherwise discovered.

Disclaimer: I have been thinking about this idea for a while now, and looked around on Pinterest and the web to see if any other libraries have done it. I haven't found any, but if there are some that you know of would you let me know so I can a) credit them and b) copy th...I mean, not reinvent the wheel? Thanks!

Wednesday, February 18, 2015

Blog Cheat Sheet

I was having trouble keeping track of who has which blog, so I made a list to keep it straight and to make it easier to comment on annotations. Feel free to use it if it will help. I couldn't find a simple way to attach this on blogger (does anyone know?) so it's inserted as a picture. If I made a mistake, please let me know!

Jess


Tuesday, February 17, 2015

Horror Annotation - The Troop

Picture retrieved from www.amazon.com

General Information

Author: Nick Cutter
Title: The Troop
Genre: Horror
Publication Date: February 25, 2014
Number of Pages: 368 (Hardcover)
Geographical Setting: A remote fictional island in the Gulf of Saint Lawrence, Canada
Time Period: Present or near future – no exact date. The technology that was mentioned (cell phones, transmitter radios, boat motors) was relevant in the present, and didn’t seem incredibly outdated.


Plot Summary
Have you ever been hungry? Insatiably hungry? So ravenous that you swear you’re being eaten from the inside out? If not, consider yourself one of the lucky ones.

Each year, Scoutmaster (and town doctor) Tim Riggs brings his troop of scouts to the remote island just off the North Point, Prince Edward Island shore, for a weekend of camping, camaraderie, and utter solitude. The boys in Tim’s troop are aging out of scouts, but he remains a loyal scoutmaster for as long as they will stay. Each boy – Kent, Max, Ephraim, Newton and Shelley – plays some role in the group, and Tim sees each growing into the men that they will someday become. He is confident in some, and uneasy about others – and his instincts tell him that he must be careful and alert, as something dark is lurking.

On the first night of their trip, a sick, emaciated, confused man appears on the island, by way of a boat. He is hungry – deathly hungry – and begs Tim for food. Upon bringing the man into the cabin and examining him, Tim sees just how sickly this man is – and as the man worsens, Tim tries to save him. His efforts are wasted as the man dies, and the truth of his sickness is revealed – a bio-engineered, gigantic worm is living in his stomach, eating all the man's food, and destroying his body, until there is nothing left of him. What’s worse is that through a simple cough, this man has infected Tim, and the troop has no idea what to do to help.

Throughout the course of the next 36 hours, Tim and the boys are terrified to experience just how deadly and destructive this worm is. Infection is running rampant, as it is carrier, water, and air-borne, and no one is safe from its reach. The boys witness their humanity dissolving as, one by one, they realize just what they will do when they are desperate and at the end of their lives. Some fall prey to the sickness, while some capitalize on the fear and engage in mental games to terrorize one another. As time goes on, the boys realize that the help they expected to come has abandoned them, and they are completely on their own, facing the kind of killer that they have absolutely no control over.

Through narration, and futuristic documents from courtroom and clinical trials, this story unfolds as a tale of how easily things could go incredibly wrong – and how powerless the human race is to stop it.

Elements of Horror


Foreboding Tone/Pacing

Throughout the entire book, there is an overall foreboding/uneasy tone, which adds a deep sense of “waiting for the other shoe to drop”. The characters have very slow moments – walking around the island, searching for food, sitting by the campfire – which absolutely make the reader squirm as it is evident that buildup is occurring.

Likewise, the pacing of this story is fairly common for a horror story. Each character has a great deal of internal thinking and conflict, which takes up time throughout the story – these quieter moments are punctuated by sharp, gruesome action scenes that sometimes take the reader by surprise.

Monsters

Within this story is an incredible tale of a man-made monster that was generated from a nature-made creature. The engineer of this disgusting worm was a doctor that understood worms’ abilities to survive and thrive, and capitalized on those for the development of his monster. This bio-engineered worm was designed to prey upon its host, thereby making it one of the most disgusting and terrifying monsters available.

Flawed Protagonists

With the exception of one character (the survivor), each of the protagonists in this story are flawed and struggling with their own demons. One of the scouts serves more as an antagonist, though the argument could be made that the true antagonist is the worm/disease. Regardless, all of the protagonists have character flaws such as temerity, brashness, anger issues, penchant for violence, etc.

Graphic Violence

This story has graphic violence as a part of the storyline, whether characters inflicted it upon one another, or upon themselves. Scenes in which the author describes the wasted bodies of the victims are horrific; scenes that describe the violence one character inflicts on himself as a result of a mental breakdown is absolutely disgusting. Even the violence that is described as a necessary evil (i.e. when Tim was attempting to operate on the stranger to save him) is graphic. The author uses phrases that are both graphic and elegant (i.e. “the skin peeled back gently as he cut”) that contributes to the overall uneasy tone of the book.

 

Uncertain Fate

At the conclusion of this story, all but one of the characters’ fates had been decided by death. However, the survivor’s fate is very uncertain – he ends up in a quarantine facility for some time, and, when he returns home, finds his community unable and unwilling to interact with him. Moreover, he has difficulty battling the his mental and emotional challenges that came about as a result of this situation, and finds himself uncertain of where those will lead him.


Book Read-Alikes


Ancestors – Scott Sigler (June 2010)
On a remote island near Canada, doctors and researchers make a game changing medical discovery when they find a computer-engineered creature whose organs can be implanted in any subject without the fear of rejection. However, as time goes on, these doctors find that the creature is not what it seems, and with it, only death is certain.

Ancestors and The Troop share similar elements of a remote location providing the breeding ground for an organism that is highly dangerous to humans. Additionally, both books demonstrate how situations can quickly spiral out of control when working with human-engineered living beings.

The Ritual – Aaron Neville (February 2012)
In this suspenseful/horror book, a group of college friends go hiking together in a remote forest in an effort to rebuild their relationships, and end up getting lost on the trip. The situation quickly dissolves as the hikers turn on one another and realize they are being hunted by a bestial predator.

Similarly to The Troop, The Ritual follows a group of friends as they navigate wholly unfamiliar terrain and find themselves doing their best to escape from a predator that they do not fully understand or know how to defeat.

Roosevelt’s Beast – Louis Bayard
This novel of historical fiction recounts the trip that Theodore Roosevelt took with his son, Kermit, to the Amazon in 1914. After battling disease and hunger, the travelers are captured by Amazon warriors and forced to hunt a dangerous and unknown beast

While The Troop features an internal beast, both stories feature an unknown opponent that threaten the lives of the protagonist while they are physically trapped in a location they cannot escape. 

Author Read-Alikes 


Stephen King – www.stephenking.com 
Both Cutter and King use vivid language, believable scenarios that build into horrific experiences, and well-developed characters. Each author also employs an element of psychological suspense that adds to the general horror of the situation.

Scott Sigler – www.scottsigler.com
Sigler is known for writing books where natural and engineered elements collide, creating wide-spread and panic inducing situations that humans struggle to rectify. His writing is direct, explicit, and designed to scare readers.

Mira Grant - www.miragrant.com
Cutter and Grant write books that involve biological/bio-engineered catastrophes that go horribly wrong while maintaining an initially believable element. 

Reader Commentary **SPOILER ALERT**


After reading this book, I am so surprised at how much I liked reading it! I’m not sure if it was the novelty of the genre (I never read horror) or what, but I could not put this book down! I initially chose it after reading the review that Stephen King wrote: “The Troop scared the hell out of me, and I couldn’t put it down. It is old-school horror at its best.” I figured if I must venture into this world, I would do it upon recommendation of one of the masters.

Cutter did an excellent job of developing multi-layered, intriguing characters that the reader cannot help but root for. Although Tim departed the book early, I thought he was a very thoughtful, well-written character who maintained his humanity for as long as possible. I was equally intrigued by Newton and Shelley and Kent who represented a trifecta of different personalities that were represented, and different ways that the characters represented fear, anger and acceptance.

I appreciated the way that Cutter wrote this book, with the interjections of courtroom testimony and transcripts from clinical trials from the tapeworm. The inclusion of these documents rounded out the story and I especially appreciated (hated?) reading the description of what happened to the monkey and guinea pig who were test subjects for this drug.

I was surprised that Max was the character to survive. After reflecting on the book, I know that it was really a matter of chance, but he seemed to be the least developed character at the end – but maybe that was intentional? The end of the book showed him at a quarantine hospital, and later in his hometown, where he cannot or will not interact with people and is haunted by what has happened (understandably). He seems to just be a shell. I do wonder if some of the other characters that had stronger development would have reacted in a different way.

Overall - I am not sure horror is a genre that I will follow closely - but I am excited that I liked this book so much! It's like seeing a scary movie - not something I want to do every time I see a movie, but I certainly enjoy getting scared. I was very pleased with my experiment in this genre.


Thursday, February 12, 2015

Romantic Suspense Annotation - Beachcomber, Karen Robards

Picture retrieved from www.amazon.com
General Information

Author: Karen Robards
Title: Beachcomber
Genre: Romantic Suspense
Publication Date: August 12, 2003 (Atria Publishing)
Number of Pages: 352 (Hardcover)
Geographical Setting: Ocracoke Island, North Carolina
Time Period: Present



Plot Summary

Christy Petrino just can’t catch a break – in Philadelphia, or along the (formerly) quiet beaches of Ocracoke Island. After discovering that her fiancĂ©, Michael DePalma, is the heir to a mob family lineage, has used his law firm to launder major amounts of money, and has killed members of her family, Christy decides to break off her engagement. Doing so, though, isn’t nearly as easy as returning the ring and walking away. Christy is coerced into a final errand for the Family (capital F) and is guaranteed that if she completes it, she, her mother and sisters, will remain unharmed. Christy makes plans to finish the errand, and walk away once and for all.

The sleepy town of Ocracoke seems to have another plan for Christy. On her trip back from running the Family errand, her well-honed senses sound an alarm. At the moment she realizes she is being followed, she stumbles across a woman, dying on the beach. Christy is torn between helping her, and saving her life, and flees down the beach to try to save them both. Only later does she realize that the local police are hunting for a serial killer who is kidnapping and killing – young women who uncannily resemble her – and she seems to be the next target of this killer.

Luke Rand, an FBI agent, has been hot on Christy’s trail for almost two years, in an attempt to catch Michael DePalma and break down that arm of the Philadelphia mob. Luke is pulled closer into Christy’s world as she comes tearing home, shouting for help for the woman on the beach – and he stays close, defending her as she falls deeper and deeper into the web of the mob, and the sight of the serial killer. But Luke can’t reveal his true identity, or he risks putting his job, and their lives, at risk.

In this tumultuous time, Christy only feels safe with Luke, but can’t shake the feeling that there’s more to him than she realizes. As Luke’s personal feelings grow, his professional responsibilities seem more and more difficult to uphold, as he finds himself fighting for Christy’s life, as well as his own. Will the two make it out of this summer together – and alive?

 Characteristics of Romantic Suspense

Setting

This book is set on the idyllic Ocracoke Island in North Carolina. This part of the state is quiet and family-oriented. While it is not exotic, it is a location that is out of the norm for this character (and most reader) and serves to physically isolate Christy from her familiar surroundings.

Point of View

Romantic Suspense novels are typically told from the perspective of the heroine, and in this story, the reader experiences everything through Christy’s eyes. As things unfold for her, so they unfold for the reader. The book has a surprise ending that the reader could not have guessed, and unveiling it with Christy kept the book suspenseful until the literal last page.

General Uneasiness

As a woman who is dodging two potential threats, Christy’s perspective is highly tinged with suspicion, mistrust and unease. Each noise, closed door, dark room, or stocky, bald man is someone to fear and run from. Over time, the language of the book draws the readers into feeling that way with Christy.

Pacing

Adding to the general uneasiness of the book is the quick pace at which the story is told. Chapters are short, which keeps action condensed, and chapter breaks are appropriate – but the story continues without any skip in time. Short dialogue also leads to this being a quickly paced book.

Romantic Elements

At the root of this genre is the romantic element of the story. A budding romance grows between Christy and Luke, punctuated by her bad luck and his excellent timing! She has to choose between the man she once loved (DePalma) and a man who is unlike what she usually appreciates (Luke). As their romance blossoms, readers are treated to some steamy scenes – not too graphic but enough to satisfy those who are seeking that romantic element.

Read-Alikes

Similar Authors

Each of these authors write books that are classified under Romantic Suspense with plucky, bold heroines and steamy relationships that move at a fast pace. Recommended books from these authors might include:

Sandra Brown: http://sandrabrown.net/
Best Kept Secrets
Tough Customer



Christine Feehan: http://www.christinefeehan.com/
Magic in the Wind
Safe Harbor



Julie Garwood: http://juliegarwood.com/
Sweet Talk
Fast Track


Similar Books

A Thin Dark Line – Tami Hoag
Both A Thin Dark Line and Beachcomber feature serial killers who continue to allude the police, and catch unsuspecting women in their crosshairs. In both of these stories, the hunted women want justice, and must form alliances with men they do not trust, while keeping themselves – and their hearts safe.

Do or Die – Suzanne Brockman
In Do or Die, Ian Dunn, a former Navy Seal, has been tasked with the job of rescuing two kidnapped children. He must partner with Phoebe Kruger who is the lead lawyer in a firm retained to help, so that they may find the kidnapper. Like Christy in Beachcomber, Ian Dunn must accomplish this mission while being hunted by the mob, and avoid being killed before he finds the children. However, as the mission grows, he finds his desire to protect Phoebe is exceeding everything – even if it means by sacrificing his own life.

The First Prophet – Kay Hooper
In The First Prophet, Sarah Gallagher wakes from a coma to find herself having barely survived a devastating fire – and with new psychic abilities. She struggles to find anyone to understand her, and makes an unlikely alliance with a novelist by the name of Tucker MacKenzie, who must help her figure out how to stop an unknown enemy from killing everyone she loves. Like Christy and Luke, Sarah and Tucker must find ways to trust one another in a highly dangerous world.

Overall Thoughts from the Reader

This book was my first intentional foray into romantic suspense, and I realized how much I enjoy the genre! I appreciate a good romantic novel but I find it difficult to get engaged in anything that is too cutesy, predictable or slow. While I understand the “romantic” part of Romantic Suspense will include some sweet, soft moments, I appreciate the faster pace of this genre.

In this book, I find that both characters are fairly well developed. The reader has to wait for some time to understand why Christy was motivated to leave DePalma and by the time the reader learns, they feel indignant and disappointed for her. Luke is a bit of a lovable oaf – while he was most likely not intended to be perceived as well-intentioned goof, he comes off that way to Christy, which is then perceived by the reader through her point of view. They both develop good intentions towards one another and their protective nature of each other is charming and believable.

This book has some well-placed comedic moments that lighten the mood and provide some levity to an otherwise fast-paced, demanding story. The feral cat Marvin is carried throughout the story and ends up with him being a hero, which is a hilarious scene. Gary, Luke’s brilliant yet awkward partner is a good juxtaposition to Luke’s determination and provides some dry and droll commentary, and is involved in a makeover scene that is oddly belonging in the story. Angie, Christy’s sister, is the perfect impersonation of what a reader would expect a mob “old lady” to be, and provided a good contrast to Christy’s more stoic, distrustful character.


Overall, I thought this book had a great twist at the end which I did not anticipate – at all! I find this unusual as I, like many of us, have read enough stories to guess how it ended. This one totally took me by surprise, so I am definitely encouraged to read Karen Robards in the future when I am seeking a romantic suspense book!

Kirkus Review - Where'd You Go Bernadette

A wife, mother, and disgraced architect disappears from her family’s home in Seattle one day, leaving nothing behind but a confused daughter and a fumbling husband who try to piece together clues about her disappearance.

Picture retrieved from www.amazon.com

In this novel, Semple spends a great deal of time constructing the portrait of a woman who was once terribly self-confident and an architectural savant. After her life’s work is (literally and figuratively) demolished by unfriendly neighbors, she retreats into her house and creates a world that revolves around her making as few decisions – and appearances – as possible. Throughout the story – or at least until she abandons them, Bernadette maintains strong, albeit unfounded, relationships with her teenage daughter Bee, and her husband Elgie who rarely appears to know what’s happening past the edges of his glasses. Bernadette is sometimes portrayed as snarky, sometimes as impossibly “above it all”, sometimes as a pitiful outcast - but always with the air of someone who just can’t figure out how to fit in. Bernadette’s anxiety isn’t unfounded- Semple constructs a community of perfectionist, impossibly annoying, school parents and neighbors who seem to fit the Microsoft constructed world that somehow mashes “granola” and “high-tech” to create an unwelcoming and irritating culture. After an accident and subsequent meltdown with one of the other mothers in Bee’s class, Bernadette skips out on an intended intervention, leaving her family clueless about where she’s gone – and how she got there. In an effort to reclaim her relationship and her mother, Bee pieces together clues about her mother’s life from emails and scraps of information she is able to dig up, or get from her mother’s Indian virtual assistant. Bee and Elgie embark on a literal trip to the ends of the earth to find Bernadette, and figure out just where, and why, she went.


Semple’s attempt to demonstrate how one mother chose to just “go” after her inability to stomach her family’s world is a smart reflection of how other mothers may feel; however, the story line is overshadowed by an impossibly selfish main character, and a family that accepts this absurd behavior. Semple does do a good job of exploring the intricacies of human and familial relationships, and the complex ways in which humans find ways to cope with the things they cannot change. A good read for those who are willing to tolerate some nonsensical scenarios and characters.

______

On a personal note, I really disliked this book when I read it - both times! However, I do feel that for the most part, it's because I don't really like satire, I don't like Seattle, and the fact that I don't really appreciate hugely unrealistic scenarios. That being said, I can see some merit in the book, and understand why some people enjoyed it as much as they did. I hope that comes through in this review! Does anyone else have strong feelings about this book?

Wednesday, February 11, 2015

Kirkus and Booklist and Library Journal...oh my!

I will admit that I tend to avoid some things on the internet – mainly, comments on controversial news articles, and sappy book reviews. This is a personal choice – they both just seem to grate me – and this situation was no different! However, I was happy to read these reviews to better understand the book!

After reviewing them both, I’d have that I have more confidence in the blog review than I do in the Amazon review. Each review has its merits – the Amazon review discusses the point of view of the book and shares that it is a “clean” romance which will appeal to many readers. The blog review discussed the plot, the pace, and the relationship between the characters, which was helpful in better understanding the story as a whole. However, there is something about the Amazon review that seems unpolished and structurally jumbled, thereby lending itself to be less believable.

Not having read this book (sorry, the reviews couldn’t convince me to dive in!) I don’t think it’s possible to catalog this as romantic suspense. The most dangerous thing that Robyn could encounter is resistance to Christmas, and even though I’m sure she saves Christmas for herself and Aaron, there’s no reason to put it in this category. While the core of the story is romance, it seems to be missing many of the other elements (witty dialogue, graphic details, etc.) that would make it a contender for the romantic suspense category.

All of that being said, I do believe that the library in which I work might have purchased this book if it were in print format. Our reading community supports clean/Christian romances, and holiday romances are especially popular. However, the majority of the community that reads these books prefers a print format – so I don’t think it would be a good fit.

In contrast to the user reviews that were mentioned above, I found the reviews for Angela’s Ashes to be highly informative and compelling. In reading them, I felt prepared for the quality of writing that I would experience, and the depth of the story presented. Two of the reviews used the word “wonderful”; all of them mentioned the author’s ability to tell stories of hope and laughter and love, amidst pain and suffering.

Aside from the quality of the views of this book, the reviewing body lends credibility to the review. Prior to working in a library, I wasn’t as familiar with the sources, but I still associated them with reliable information, and I think that most discerning readers would do the same. If it weren’t already a part of the library’s collection, I would purchase it in a heartbeat.

In my role at the library, I do order some fiction books, as well as having responsibility for the non-fiction collection. The majority of the fiction ordering I do is based on user request or staff's recommendations based on reviews, word of mouth, etc. In this work, I do utilize reviews to make determinations, especially if I am making the decision whether to purchase or ILL the item.  It is interesting to note the disparity in reviews for books; however, my opinion is that books that strongly deserve a review (positive or negative) will generate the interest needed to get one. Books may be a hit from the start, or individual reader reviews may generate professional interest over time, but eventually, the books that make people talk will get the most reviews. I do firmly believe that negative reviews should be published along with positive ones - in keeping with libraries' commitment to intellectual freedom, people should have access to all review materials so they can make informed decisions about their reading choices. Limiting negative reviews simply takes away from people's ability to make the best choice for them.

As I develop my RA skills, I do depend on reviews to help me make decisions; however, I also find that right now, some of my colleagues and school classmates are the people I turn to to find recommendations and reviews. I find that the people I work with give me the best recommendations - especially when they read genres that I would not normally choose - and I combine those suggestions with what I am reading, as I learn which reviewers/which publications I can trust.

Sunday, February 8, 2015

Secret Shopping Readers' Advisory!

Everyone likes to pretend to be a spy, right? Or maybe that's just me..? Regardless, this week, our readers' advisory class was asked to "secret shop" a local library to learn a little more about readers' advisory services.

We weren't able to visit our own library (no secret there!) so I chose a large library within a local community that I have heard a lot about - but this was my first visit. I came in armed to ask for some help in getting a recommendation for the Romantic Suspense annotation this week. I somewhat familiarized myself with both the library layout, and the collection, but wandering around; additionally, I had located some Romantic Suspense authors prior to my trip, so I also checked to see if the library carried those authors.


This library is large/lucky enough to have a separate Readers' Advisory desk that is manned by reference staff. It is bright, well marked, and flanked by various displays from the library staff. I approached the desk and asked its librarian (we'll call him Joe) for help finding a book to read. A rough exchange, something like the below, happened:


Joe: Hello (upon my approach)

Me: Hi, Joe...(awkward pause) I'm looking for a book. Can you help?
Joe: Yes I can. What are you looking for?
Me: Well, I don't really know. I like romance but I'm getting tired of the predictable plots. So I want something with some more edge. But nothing without a love story.
Joe: What have you read recently? What did you like?
Me: I answered that I had been reading some things by Robyn Carr and Nora Roberts but I was getting tired of the story line being so predictable. But I did like the female characters who had a little attitude.
Joe: What makes you not like a book?
Me: I answered that I didn’t like horror and I don’t like anything too predictable or cutesy. I also noted that I don't prefer non-fiction.

After this exchange, Joe utilized NoveList to run a search for authors I may enjoy. He did not communicate with me while doing it, so I asked what he was doing/what he was using. I asked, as I remembered from Reference, that librarians are supposed to talk through what they are doing (when possible) so that the patron feels involved in the exchange.


Joe decided on three authors I should pursue for Romantic Suspense: Karen Robards, Heather Graham and Laurell K. Hamilton. He also suggested that I may want to try Jane Green and Emily Giffin if I didn't want a suspenseful story. After handing me the list, Joe pointed to the general direction of the fiction collection and told me I should check it out.


So - what did I think? Well, I'm torn. On one hand, I got what I came for - he provided readers' advisory service, used appropriate tools and conducted a brief interview and was somewhat helpful. I could tell that he had provided this service and was skilled in his knowledge. On the other hand, I was left with the impression that he was totally disengaged, and I believe he should have done more to engage me and "create a climate that encourages readers to talk about books and authors" (Ross et al., 2002). Additionally, I would have felt like I had better service if he suggested specific books and/or had walked me over to where I might find some of the authors he suggested.


This opportunity certainly provides me with a better perspective of a successful readers' advisory interview. I know that the level of service I provide to patrons will certainly increase as a result of this experience!


Reference



Ross, C. S., Nilsen, K., & Dewdney, P. (2002). The readers’ advisory interview. In Conducting the Reference Interview (pp. 163-175). New York: Neal-Schuman.